

These photographs were later presented to William J. Richardson during an excursion along the Apache Trail to the town of Roosevelt. "The 25 photographs in this album were taken in 1905 by C.H. Small booklet bound with a string tie, unpaged (28 pages), 25 photographs. Part hiking guide, part history book, and part treasure hunter's source book, Exploring the Superstitions: Trails and Tales of the Southwest's Mystery Mountains vividly brings the supernatural beauty, mystery, and majesty of this unique area to life." In fact, in the past century, the Superstition Mountains have claimed the lives of more than six hundred visitors, marking them as the West's deadliest wild area. While this range appears on the surface to be a veritable nature lover's paradise with towering saguaro cactus forests, desert wildflowers, and roadrunners, it is also home to rattlesnakes, plants and animals that stick, sting, or bite, and modern gun-toting drygulchers. The ancestral ground of the western Apache and sacred heights of the neighboring Pima, these mountains were once a veritable no-man's land of soaring cliffs, dead-end box canyons, and eerie hoodoos of stone, marking them as one of the last places on earth that any person would dare to tread. "Arizona's Superstition Mountains are like no other mountain range in the continental United States.

The essay provides the argument that folklore studies in the United States challenge Euro-centered humanistic legacies by emphasizing patterns associated with the American experience that are (1) democratic, (2) vernacular, and (3) incipient.Exploring the Superstitions: Trails and Tales of the Southwest's Mystery Mountains. It frequently refers to the expressions of this knowledge in story, song, speech, custom, and craft as meaningful for what it conveys and enacts about tradition in a future-oriented country. Popularly, folklore in the United States is rhetorically used to refer to the veracity, and significance, of cultural knowledge in an uncertain, rapidly changing, individualistic society. The United States was a relatively young nation, compared to the ancient legacies of European kingdoms, and geographically the country's boundaries had moved since its inception to include an assortment of landscapes and peoples. The United States, however, appeared to lack a peasant class and shared racial and ethnic stock associated in European perceptions with the production of folklore. American folklorists were influenced by nineteenth-century European humanistic scholarship that identified in traditional stories, songs, and speech among lower class peasants an artistic quality and claim to cultural nationalism. S: American Folklore consists of traditional knowledge and cultural practices engaged by inhabitants of the United States below Canada and above Mexico.
